![]() ![]() ![]() #DO YOU NEED MEDIA ENCODER FOR PREMIERE PRO PRO#This opens up a dialogue box that allows you to navigate to you Premiere Pro Project. But no exporting from Premiere Pro is required - you just save your Premiere project and open up Media Encoder.įrom there, it's simply a matter of selecting "File > Add Premiere Pro Sequence." But Old habits die hard and I just felt the need to export something. Perhaps I could be forgiven the oversight because you don't actually have to do anything in Premiere Pro when you are ready to encode. Despite the fact that I had just written a post about the workflow between Premiere Pro and After Effects with Adobe's Dynamic Link, I didn't connect the dots with Media Encoder. When I started to search the help files for Adobe Media Encoder, I fould the answer actually lay in importing a sequence into Media Encoder. I was looking for information about exporting a sequence out of Premiere Pro so I could encode it with Media Encoder (in other words, I was thinking like a Final Cut Pro editor). It turns out I was approaching it from the wrong angle. Maybe the honeymoon was over - Premiere Pro wasn't all that I had hoped it would to be. It only took me a few minutes to see that there wasn't. Surely there must be an equivalent to exporting a non self-contaned reference Quicktime in Premiere Pro. #DO YOU NEED MEDIA ENCODER FOR PREMIERE PRO MOVIE#In FCP, the export of a non self-contained reference movie would have taken seconds. The video I was working on at the time was about 30 minutes long, which would have required me to wait more than an hour before I could get back and start cutting again. Then you have to sit back and wait for the encode to finish, which - depending on the length of the video - could be quite a while. Selecting this option opened up the encoding window, which is basically the Adobe Media Encoder interface. The first time I used Premiere Pro and it was time to send a cut to the client, I went to export the sequence and found there was only one option: That way, you could let the encoding go on in the background and you could continue to edit. It was a quick way to prepare client screeners without tying up Final Cut. These reference QTs could then be dropped into any encoding software of choice for compression. For me, one of the most often used of these techniques was exporting non self-contained reference Quicktime movies out of FCP. Making the switch from Final Cut Pro to Premiere Pro as my primary NLE, I often find myself trying to find PPr equivalents to all the great time-saving tricks I had up my sleave with FCP. ![]()
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